The grainy texture on the images looks great and makes this really feel like a pre-Flash cartoon of the 90s or earlier. You also really nailed the art style, and it really makes the animation pleasant to the eye.

Humor-wise I didn't find this especially entertaining, but it's only 2 minutes so the unfunny-ness isn't that painful to sit through, especially when the aesthetic makes up for it a lot.

There are two main hiccups that I think drags this down considerably. First, some of the animation is just way too simple. Some of the really simple stuff (like the camera pan in the beginning) have a low framerate and look jerky. The two frame loop of the rat digging through boxes looks really crude, and it wouldn't have taken THAT many more frames to create a loop (even a low framerate one) that looked less sloppy. The screen shake at the very end is another example of this - just a few more frames to slow this down would make it look more like something that might actually air on Cartoon Network.

The second issue is the timing. Not just comedic timing, but the timing of the shots as well. It's a short animation (under 2 minutes) yet panning and fading transitions are all we see for the first 30 seconds of it. Some of the relatively short shots should be even shorter, like the rat tearing apart the box, or the first shot of him reaching into it (you play the same loop later and that time it's shown for the right amount of time.) Similarly, both shots of the rat holding the snow globe are just a little too long, as well as the still shot of the mess the rat made. All of these things might seem like nitpicks, but if you imagine how awkward it might be to talk to someone that randomly inserted... half second pauses while speaking... to you, it makes sense how not only these small differences of a fraction of a second can create a disruptive experience, but how a bunch of them back to back make the final product look unpolished.

A bit of a mixed bag here. Despite looking great visually, I don't think this installment is the best in any one category. While the animation is ultra smooth, in terms of choreography it doesn't have the interesting teamwork of 5.5/6.5, it doesn't have quite as fast-paced action as Antipathy, it doesn't have as deep a plot as Inundation, and it doesn't have the particle effects of Abrogation. Similar to Abrogation, the plot is basically the main cast trying to survive in the Auditor's world. It's not really clear where Hank is, since he didn't die in Expurgation (perhaps I need to play Project Nexus, as it's not really clear what the difference is between Nevada and Occurrent Nevada,) though teasing Deimos coming back is a definite point of intrigue.

Adding in some slight green tones to some of the scenes looks great and adds to the grungy tone that's gradually increased throughout the series. It's refreshing to see Sanford fight with a hook again, but the actual combos he does aren't much different from what we've seen before.

Hopefully we get to see something actually happen with the Auditor soon.

The voice acting and linework are really good and the humor is decent but this feels more like an animatic than a completed animation. Flesh out the linework and add in some more frames.

It's okay.

The animation looks great, but the gameplay is overall lacking. The shootouts, driving, and side-scrolling action all control well, but each is missing something in terms of balance and difficulty. It's easy to stun lock enemies and to place the cursor exactly where you need it for the cover shooter parts. The motorcycle sequences are the only parts that are difficult, and that's mostly due to lack of checkpoints and spastic controls.

The writing and voice acting are obvious weak points.

Different isn't always bad but I think there's definitely something missing here. Virtually every level is the same, with enemies only really having two different heights at which they need to be shot, except for the lats level where hitting the vehicle itself is sufficient and you can just find a rhythm of how fast to fire while holding the up key. Reloading with the space and mouse is extremely awkward but could have been fine if the controls were WASD instead of the arrow keys. An okay concept but it needs serious QoL improvements.

Good presentation between the graphics, animation, and sound design, but a bit lacking in content. It only took a few tries for me to score perfectly, and a big part of that is the camera panning over to suggest where the targets will spawn. A fixed camera might look a bit less polished but would lead to a better player experience. Some better difficulty settings (such as more target positions, smaller targets, and smaller reaction times) would also be useful, and some moving targets would make this a bit more interesting since it would require timing instead of just reacting as quickly as possible.

I'm an easy target for djent stuff, and this is damn good. A tad repetitive, but enough changeups to keep it from being a glaring issue (with it going full Doom toward the end.) Mixing is a little muddy but otherwise tight.

I like the layering a lot, but I'm kind of lukewarm on the sample choice. The drums are a little weak, and sometimes it just feels like there's too much going on, especially with the samples being kind of short and repetitive.

Curious to see how this sounds with vocals over it, the tone is different and the 3/4 time signature would be challenging to spit to.

Great tone and wonderfully groovy. Fantastic production. Melody could stand to be a bit more complex.

I'm a big fan of this art style. The high contrast and simple shapes make this really stylized.

Crazy amount of detail and great contrast between the low saturation characters and vibrant background. The bullets in the foreground are a bit distracting, especially with the blur effect on them.

This is a really cool concept, I'd like to see the folding/unfolding of this character animated! Certain parts of the body lack a bit of detail, and the wheel itself really just looks like three concentric circles.